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I'm enjoying your channel whilst recovering from 3 major abdominal surgeries. Your work is keeping me sane right now. Thanks so much Andy 🙏

Thanks Skip great info as always. It is always a treat when information comes through the filter of experience and study that filter of course being you.

Îmi place foarte mult stilul dvs. de a picta! Bravo maestre, la cât mai multe lucrări de artă!

Very interesting. It is very instructive to be able to listen to the explanations and follow the work process of a great artist and expert watercolorist like Andy Evansen. Thank you very much.

Enjoyed the video, your discussion, and seeing the painting come to life. Thank you for sharing your expertise.

Great explanation as you are going along. Thank you!

So grateful to be able to watch this masterclass 🌟 Though when comparing 17:21 and 18:45, I felt the final details made the painting slightly too "busy" and some of its initial freshness was lost.

Спасибо большое!!! 👍❤🔥🔥🔥

Hi Andy you are really good at explaining your way of painting. Only wish I could follow although the value study starts to make sense to me. Thank you!

great video

This is so helpful, thank you for sharing!

Thanks!

Glorious paintings. Great lessons. Thank you!

Thank you.

Brilliant lecture. More please 🙏

I am truly grateful for your great video. I do watercolors and have been studying color theory on my own in preparing my palette. Trying to keep it to 18 colors (or less), and still be able to have range in the paintings I do. Again, great video, plus I got to "meet" another great American artist.

Like that you didn't pick his best work, but it wouldn't be the point of lecture.

I was wondering if only 3 primary colors would be enough for Skip Whitcomb's course. The recommended list includes a lot more.

surely he had whit as well ?

Skip, what a great introduction to Bellows. I appreciate your insight on his color harmony and how you break down the pigments on his palette.

Excellent tutorial. Thanks

Delightful,observations. Takes an expert to appreciate with great depth then tell us lol about it. THANKYOU

It’s thrilling how the light differs around the globe. Encouraging artist to follow the shadows mist brilliance and mystery that light plays inthe atmosphere. Never a dull moment. THANKYOU How wonderful to explore through this tutorial , THANKYOU gifted and skilled artists everywhere 🥰

THANKYOU. Very much appreciated an artist who teaches the foundation skills we all need , presented clearly and in detail. So very encouraging and inspiring. No rush detailed tutorial. PERFECT

Few paint at your level Matt. You inspire many my friend.

The crucial element you scarcely mention - but do drop in passing - is the 'personality' of the onlooker. Creating Art is not the same as looking at Art and no Artist can dictate how the onlooker reacts.

Good one Kenn! As you know, it's tough to keep the "freshness" of a small plein air study, enlarged into a studio painting; but you managed to do that by not going Too large. ;D The great Scott Christiansen once said, in a vid I have of his, that, "Ugly is one thing, but Big and Ugly is a Totally other thing", with regard to doing larger paintings!! LOL :D

Thanks, Andy! And thanks to you too, Tucson Art Academy 😊.

4:14 😂

Good stuff thanks

❤

I believe the portrait of Mr. Kinstler is by his student, Michael Shane Neal.

Thanks!

I am certainly a big fan of this dude..

Such valuable advice. Thank you.

It is ABBOT THAYER!!! One of the best paintings ever created.

Absolutely, hands down, the best video explaining tonal value and what the fk to do with it. Thank you so much.

Very helpful Mitch. You certainly boiled it down very well. It was certainly timely as I had started working out the size of some elements in something I'm working on. Many thanks! Ted Hawkes

Glad you enjoyed it

Is there a full version of this artist?

love ..

Excellent

Incredible work! The way he makes things POP, his understanding of values make the works look almost like a 3D postcard!!!

Great painting

Fantastic tutorial Andy! I’ve got the same book but it’s so poorly rendered the pics are all very soft focus. In some ways, you only have to look at TC to see how to paint (and yourself of course)! I believe he’s still going at 91. Great stuff!!

I wonder if your painting dries between stages or if you work wet to wet? But how do you do it? Do you have a pulling surface?

Very enjoyable film, Andy. This is also my favourite painting from the Trevor Chamberlain book. I'm currently teaching a watercolour class in St Ives, Cornwall, and I showed my class, only today, some of Trevor's paintings for inspiration.

Its really cool to listen an artist you admire to geek out on a painting he admires! Fun to imagine a Sargent doing the same over somebody else’s works :) “Oh my God, Monet! That’s an awesome painting! How did you do it?” Andy is a great teacher!

This is one of my all time favorite watercolor paintings. Wonderful to see Andy highlighting it and talking about the various elements that make it such a special piece.

Beautiful painting. I must confess that with all the different mediums I work in I’ve never even tried watercolor but this makes me want to look into it.